Features

We chat with Madden NFL 24's senior producer to get a bit of insight into how the two development teams are working in tandem.

We speak to various leads at Creative Business Unit III about the process of creating a new Final Fantasy.

We speak to Final Fantasy 16 art director Hiroshi Minagawa about how the team created the visual style of the game.

We talk to Final Fantasy 16 composer Masayoshi Soken about the overall sound of the game and how he went about creating its 200-plus track score.

Kick off your adventure in Sanctuary on the right foot.

We talk to Final Fantasy 16 composer Masayoshi Soken about the main theme, or lack thereof, of the game.

Other than respect and admiration from your peers, this is what else you get for finding and solving all of Tears of the Kingdom's Shrines.

If you’re looking for a single game that is almost a hobby in its own right, the second printing of this massive game might be your chance.

*bleep bleep*

We speak to Final Fantasy 16 composer Masayoshi Soken about the creation of the game's Victory Fanfare.

We talk to Final Fantasy 16 composer Masayoshi Soken about the game's prelude.

Let's take a tour through the land of Valisthea.

That tattoo on Clive's face means a lot more than you might think.

We talk to Creative Business Unit III about how this game became the first in the mainline series to get an M rating.

We'll witness Clive's teens, 20s, and 30s in the game.

Finding the voice of two main Final Fantasy characters is no easy task.

Here's what we think of Diablo IV prior to its full launch.

It's unsurprising, considering it's the largest departure from traditional Final Fantasy.

It's almost time to break the combat baby.